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house of discipline

by Yellow Alex

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1.
hey hey hey hey hollywood-- i can't catch a break! under lights, burning up twitching on a stake i sang my audition and you did not reply cut me up, cut me down, cut me out-- make me wanna die! she cries, she screams: "i'm livin' the dream!" she cries, she screams: "i'm livin' the dream!" now, early in my youth i was struck by destiny i could feel the hand of god open up to me so fuck you lucky stars shining up my street! i cast you as a rag doll-- straight to dvd! oh! yeah! ooh! she cries, she screams: "i'm livin' the dream!" she cries, she screams: "i'm livin' the dream!" i can manifest the best with teardrops on my eyes you see me staring into death but i'm not gonna die! cross my head and cross my heart cross up on the wall i can feel the dynamite inside the very small i can ride the devastation early in the morn i can hear my mama call me even when she's gone! she cries, she screams: "i'm livin' the dream!" she cries, she screams: "i'm livin' the dream!"
2.
and i die before you kill me, and i die, and i die and i die before you kill me, and i die, and i die i get high, i get low, Rolla Costa when i drive to your house in silverlake oh i know, no i know, i'm in for trouble when i roll, roll the dice, and watch 'em break you say you want my baby in your body, Rolla Costa and you 'want to bottle up my DNA' but you give away my place inside your bedroom the evidence is all over the place and i die before you kill me, and i die, and i die and i die before you kill me, and i die, and i die you got style in your nouveau-riche apartment but you break my heart so very awkwardly i can't believe that this is how we're ending-- a broken heart is so embarrassing! close my eyes, hear you scream "pheromone!" all the sweet sadistic shit you used to say! i know that it's too late to say i love you in retrospect it's better off that way and i die before you kill me, and i die, and i die and i die before you kill me, and i die, and i die
3.
idolize me 04:57
i wanna be a demigod of the working class in tight white versace shoes i wanna be a master of experience and color i wanna atomize the room oh -- i want you wrapped around my finger yeah -- i only want commitment that i can taste idolize me, idolize me never leave me alone idolize me, idolize me cut the meat to the bone i wanna create a brand new persona i wanna freeze the teardrops in my eyes with a drop of blood i could seal this with a little blood i could fly yeah --i wanna be a car accident i -- promise that you'll never turn away idolize me, idolize me never leave me alone idolize me, idolize me cut the meat to the bone did you see me in my interview? did you turn the page? did your realize this could be permanent? caterpillar: butterfly
4.
When I want companionship, I have a friend I can visit down the street. I try hard not to see her once a month, and also one or two times a week. • Carol came here from Shanghai, and in the daytime, she studies real estate. This is just the thing that she does on the side, on the sly, when it's late. She asked me: 'do you have a thing that you do?' I said: 'yes, I play guitar in a band.' She asked me: 'do you think I could listen to a song?' So I played one from the iPhone in my hand. • The third time that I saw her, she let me make her come. Afterward, she said 'you don't have to pay', but still I gave her some. Then, for a time, we held one another, and we laid beneath a stiff white sheet. She told me: 'I hate you a thousand times', but I know that isn't really what she means. • One morning, driving in my truck, I suggested she and I hit the beach. She smiled and it seemed like a pretty good idea but it also seemed like. I think we were both just really tired
5.
in my house of discipline, there's a girl locked up in the cupboard in my house of discipline, there's no space for contradiction in my house of discipline, there's no room to fuck with mixed emotions in my house of discipline, there's no way i could be your lover
6.
i'm the darkness in your soul when you're swiping, when you're scrolling, and you slip and you're losing self-control girl the tighter and the tighter i can grip prisoner of fashion, baby prisoner of fashion, baby i'm the rumble in your stomach as the leopards and the zebras starts to gnash i'm the fake-ass way you smile, pouty lips as the cameras point and flash i'm the headshots on the wall as you squeeze into the jeans that just don't fit i'm the headphones on your neck bright and shiny, wrapped up tight in neon shit prisoner of fashion, baby prisoner of fashion, baby i'm the viral to the spiral in the bathroom when you're puking up your guts wipe the hatred off your lips -- give a kiss -- cos it's time for you to strut ! yeah ! only $99.99.99 ! awwww turn !
7.
from the moment you stepped up to the bar i knew that it was gonna go down the way you turned around in your chair it's like i'm flying in a plane afraid that it was gonna go down cause i'd forgotten what it was to be high and when you let me hold your hand you told me that i'm easy to read i really hope that i'm not easy to read cause then you would already know the things that i don't wanna say and i wouldn't have a place to hide! i don't really understand is there a reason that it has to be hard, a reason that it has to be hard? i don't really understand is there a reason that it has to be hard, a reason that it has to be hard? beneath the second glass of wine i start to wonder what has happened to me i wonder why you make me feel weak is it because i been depressed? i spent the whole summer under the ground and now it's bubbling from under the ground november is my favorite time and now we're blowing down the street i really love it when you make fun of me it's like i'm climbing on a stage the way it happens in a dream i can't remember any lines! i don't really understand is there a reason that it has to be hard, a reason that it has to be hard? i don't really understand is there a reason that it has to be hard, a reason that it has to be hard? i'm going down and i'm crashing in the blue i'm going down and i'm falling into you i'm going down and i'm crashing in the blue and i'm crashing in the blue
8.
i heard you say that you love me like a brother and i had to look away i'm on a path -- it's complicated, you don't have to know exactly what to say the days don't lie we both tried we can't be friends anymore i feel the weight i hate to say we can't be friends anymore i never knew i was co-dependent -- i thought it was only you, til the shit hit the fan! i see myself from a distance at a distance -- it's hard for me to understand! oh! i think we know to let this go we can't be friends anymore even though my head loves you, my heart is through we can't be friends anymore we can't be friends anymore
9.

credits

released June 27, 2017

"house of discipline"



written, produced, performed and mixed by
alexander gedeon

co-produced by tony leonard

additional mixing by aaron childs



special thanks to

donald green
jonathan hart makwaia
quddus sinclair
arvo pärt
don van vliet
peabody southwell
aaron childs
billy childs
evan cristo
david goodwin
anthony kronfle
alberto lopez
dinora walcott
danny lane
tony leonard



photography by jade mainade



all music and lyrics written by alexander gedeon
except

"prisoner of fashion"
music by alexander gedeon, david goodwin and evan cristo
"kill me (roller coasta)"
music by alexander gedeon and evan cristo
"towards a poor disco"
music by alexander gedeon, david goodwin, evan cristo and alberto lopez

all vocals and instruments performed by alexander gedeon
except

evan cristo played live drums on "kill me (roller coasta)", "crash into the blue", "towards a poor disco" and performed additional background vox on "we can't be friends anymore"
david goodwin played bass on "prisoner of fashion" and "towards a poor disco"
frank abraham played bass on "kill me (roller coasta)"
aaron miller played live drums on "letter from a suicidal actor"
corey fogel played live drums on "idolize me"
alberto lopez played synths on "towards a poor disco"


the live drums on "kill me (roller coasta)" and "idolize me" were recorded by billy burke at the loveless motel, sierra madre, ca
the live drums on "letter from a suicidal actor" were recorded by sean guerin in north hollywood at delux's studio


all songs were mastered by alexander gedeon except for "kill me (roller coasta)", mastered by brian "big bass" gardener





"actors should be like martyrs burnt alive,
still signaling to us from their stakes."

- antonin artaud





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